WATER shown in eco-feminism week in Trinity College, Dublin

Isabel Jorgensen invited me to screen WATER at the eco-feminism week (Nov 13-17, 2017) at Trinity College, Dublin. She said she'd seen me present at Oxford University's Smith School of Enterprise and the Environment, and thought the film fitted perfectly with the theme of the week. I was already back in Nepal after a summer in Oxford, so I suggested that she present it instead.

Isabel said the documentary would be screened at the Museum Building Library, and that "it was by far the most beautiful building and room on campus!" So I googled it up, and indeed, here is the beautiful building. It was inspired by the Byzantine architecture of Venice.

Here is her email after the event, after I asked her how it went:

Amazing, thanks! Here are some pictures from the event, it went smoothly and there was a lot of good discussion. I gave a 30 minute intro to climate justice and environmental issues and women’s roles in their resolution, we had the a screening and then I lead a 30 minute discussion on the issues shown in the film. People were really enthusiastic and about 45 people came, which was the capacity of the event. It was a success!

--Isabel

Supportive Men: the documentary

In Nepal, men and women are involved in various ways to shift norms and relationships toward gender equality. This documentary focuses on one community in Kapilvastu, Southern Nepal, to show how men and couples are changing the way they interact with one another to bring about social change, and also how men are supporting women’s movement for empowerment and gender equality. _____________________________________________________________________________________________ Mr. Dube is a young man in his late twenties who lives in Kapilvastu, Nepal. He has taken part in a gender equality training given by a local NGO, in partnership with an INGO. He is married and has two sons. In his small community, Mr. Dube has become an inspirational figure who has managed to change the behavior of not just the younger men, but also the older men of his community, who now cook, help with housework and childcare, and support their spouses in a way that was unthinkable...

Planet in Focus: 3rd World Water Forum - March 16 - 23, 2003

(Logo of the 2015 festival) 2004 Planet in Focus: 3rd World Water Forum - March 16 - 23, 2003 http://planetinfocus.org/ Martin Robertson reported on "Waterworks", the film festival held during the UN World Water Forum in Kyoto, Shiga and Osaka, Japan. He says: "...But by Saturday, some of the shorter docs received considerable feedback, especially “Pani” (directed by Sushma Joshi) with its clear reporting about local community good will projects floundering because of lack of preparedness in communicating to everyone involved about the reasons for decisions, gender and caste bias in the construction of committees, and secrecy about costs and funding." “Water Works” - A report by Martin Robertson Planet in Focus was represented twice in Kyoto at the World Water Forum this March with screenings and cultural programming. “Water Works” a mini event featured on three days with short video docs (schedule) accompanied by story telling and musical performanc...

INTERVIEW: Nabin Subba

This interview was published in the Nation Weekly magazine in 2004. KHULA MANCH Nabin Subba (35), the director of the acclaimed film Numafung, talked with Sushma Joshi of The Nation Weekly about his films, the Nepali independent film movement and his visions of nation-building. The Nation: How did Numafung come about? NS: During the pre-democracy days, I worked in journalism for almost a decade, first in Nepali Awaj for 3 years, and then in Deshantar for 5 years. I was doing mainstream reporting. Then I started to focus on art and culture, and later exclusively on film. I was dissatisfied with Nepali films, and would write critiques about them. I had long discussions with my filmmaker friends about making a film that would have a Nepali identity, but they all said it was not possible. They said it would not be commercially viable. So I said, okay, I will have to do it myself. The Nation: So you took it as a challenge? NS: Yes. I wanted to experiment with a Nepali form, one ...

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